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Showing posts from December, 2013

Furious Blunder

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30" x 36", oil on canvas, 2013
The ninth painting (although there's no real order, unless you want to infer one) in my Tournament of Shadows series, this a sort of sequel to Between Maybe and Maybe Not.

Below are in-progress details in the order I painted them:

Here I am reusing my photo ref previously used in an earlier watercolour, Aisha (pensive). There are still some very bright highlights to add.

Click the skull for a larger-than-life view (depending on your screen size, of course).

Surrounded by the orange ground makes everything look weird and possibly warmer than intended, especially the raven.

Another earlier watercolour, evade, makes a cameo.

Nearly done and covering up most of my orange ground, the values of the subjects settle themselves down now and indicate that they're not weird, after all.


Kodak Instamatic X-15

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18" x 24", oil on canvas, 2013
I've posted before about my love of photography and the SLR film camera I used to use extensively to shoot my photo reference for my paintings, and I've painted a different, older, non-functional film camera quite a bit (most recently and most pointedly in My Advantage Point). However, the cost of film photography combined with my novice-like understanding of F-stops, etc. made switching to a digital SLR (which, aside from the occasional auto-focus feature, I use in its manual setting, to replicate using my Minolta) this past summer all the more convenient, economical, and photographically certain. I can now instantly see if I'm getting the exposure I want/need and only have to print the photos I choose (with a bit of post-processing and recomposing with other photos in Photoshop) to use as reference for my artwork.

I still love the process of film photography and the sophisticated-yet-low-tech nature of it, and the cameras of a ce…