The Naked Silo

The Red Balloon 28" x 18", oil on wood panel, 2020 This painting is the first of several paintings I have planned that features my friend, Kimberley , doing double duty, representing one's struggle with oneself (since we tend to be our own worst enemy). I shot a lot of reference of her in multiple poses, knowing I'd be able to composite them in Photoshop later. While I had Kimberley wear a different top for each persona in this one, I didn't want to have three legs visible with the same-coloured pants so I painted jeans on the foreground figure. I think the red and blue is a great, rich combination that really pops, leaving the rear "twin" in ghostly pale colours. My original idea for the background was a very dark, mysterious forest, but the more I looked at it while painting the figures against the roughed-in dark-ish background (over which I would have painted the suggestion of a forest), the more I liked the starkness of that, so I made it definitive

The Last Bridge 28" x 18", oil on canvas, 2020 While rummaging through some of my old photo reference, I was very drawn to this model because her hair was just perfect and looked amazing, with all the curves and swerves. I wanted to have fun just painting her hair, but she was holding a camera in the photo and was looking at it intently, suggesting deep contemplation, so I decided to replace the camera with something more mysterious... The first thumbnail I drew had her holding some kind of plant, like a thick stalk...something organic and green and undulating. I was planning on keeping her top black  for the light green plant to contrast against (plus, everyone looks good in black), but I wasn't yet thinking of a background. In the sketch above, I took her hands and repositioned them slightly and rotated their orientation to allow for a more pleasing composition with the plant. Below is a sketch where I kept their original angle and position (roughly) and had the stalk g