The Naked Silo

30" x 40", oil on canvas, 2008 Detail. Here's my beautiful wife, Krista , sitting across two green chairs. I wanted to mix things up a bit, so I made her portrait horizontal and added a second chair for composition's sake. That's also why her left leg is bent like that; it creates a nice rhythm as well as continuing a downward angular flow from her head to the top of the chair on the right. 

40" x 30", oil on canvas, 2008, private collection Detail. This painting of my old friend Chris Patheiger is the one described in this post as being the first of this Green Chairs series.  I was trying out something new as far as skin colouration here, choosing to go with non-realistic colours, the chair being the only thing colored "properly." I then superimposed a  matrix  background but carried it into the figures, rendering them ghostly* using lighter tones where the figures overlap the background. I only did four of these before moving on, but I have a great reference image of Kimwun on a green chair for a fifth portrait (perhaps this winter?) from our photo shoot the Kitchen Warfare Trilogy was based on. *Or "hollow" –in fact, the working title for this series (still in use as the folder name on my computer) was "Hollow Oils."

30" x 24", oil on canvas, 2009, private collection This was painted as a gift for Kathryn Winning  (that's her at the back of the canoe during a trip she, Krista, and I took to her cottage up north). I became good friends with Kathryn soon after meeting –and subsequently painting many pictures of– her daughter, Ashley. Separately, Krista had become friends with Kathryn as well, and it was when Kathryn was directing one of Krista's plays in Toronto ( Love in Swift Current ) that the chain of events began that would lead to Krista and I getting together (and getting married and starting Small Pond Arts !). Kathryn really pushed for us to get together and has been a great and supportive friend of ours, so, in appreciation of all of that, I painted the three of us in a canoe on a very happy trip and planned to give her the painting upon our move to Prince Edward County in 2010, but she now lives on a boat and there's no place for a painting there. Until she has a ...

20" x 16", oil on canvas, 2007 Yep, that's me and, although I chose to wear Rigoletto's fool's cap for this self portrait, I'm not sure where the fiery background came from (I honestly don't think I intented flames or "Hell" when I was painting that –just warm colours), but it does sort of comment on my state of mind at that time. Also, since 2007 wasn't a significant year anniversary-wise (the following year would be my 20th anniversary of painting in watercolours, and to celebrate, I painted this piece ), I don't remember what prompted my painting of this. Come to think of it, I did this self portrait in 2001 which also had no temporal significance except for the fact that I was almost exactly 29 1/2 years old when I painted it. There's also this cheeky self portrait to consider, which was my last deliberate (but, again, cheeky) self portrait. I turn 40 in a few days and I've been gathering self-shot reference photos for...

11" x 8.5", ink and digital, 2011 Small Pond Arts will be hosting the famous Scarecrow Festival in lovely Prince Edward County for the first time this year and this is my poster design for it. For the illustration, I shot reference photos of our own scarecrow, Socrates, who resides in our garden . I added a primitive box guitar hanging onto him because a couple of folks from ArtsCan Circle will be attending to the event and will be playing some live music. I drew Socrates in pencil, inked him using a brush (I used a pen for the lines on his shirt), then scanned the drawing and coloured him in Photoshop. I used flat colours because I wanted to keep the design as simple as possible. Afterwards, the text was all laid out in CorelDraw. Krista will be blogging about the event soon after the festival next weekend, but, in the meantime, you can read about previous Sacrecrow Festivals at Galloping Goat Gallery , the initial hosts who've since handed the event over to us...

11" x 8.5", photography & digital, 2011 Stickfest is once again upon us and my poster for this year's event features an installation ( in progress ) by Mary MacDonald created initially for Cornography  a few months ago. I took most of the photos before she started joining the ends (as seen in the bottom right) since the long branches (branches...sticks...c'mon, close enough) looked beautiful against the blue summer sky and I knew these would somehow form the basis of my poster this year. I did a bit of post-processing in Photoshop, then the design and layout was done in CorelDraw.

What an interesting three-day extravaganza the 2011 Prince Edward County Studio Tour was. There were lots of people walking in and out of my gallery here at Small Pond Arts , and I chatted amiably with interested folks, all while I worked on the underpainting of my next Prince Edward County  barnscape. My large body of work (spanning just over two decades) seemed very well-liked by my visitors –including the six new paintings I did especially for the Tour using three local wines ( Malbec , Cab Franc , and Baco Noir ). However. This whole time –from the initial application process last winter, until I took down my Studio Tour sign at the end of the Tour today– something was nagging at the back of my mind. Something about the whole Studio Tour's visual identity seemed oddly, and inappropriately, familiar...something about...my home town? Something about...an old TV show? Something... ... ...something... ... ... ...something... ... ... ... >...