27 June 2012
Meat Matters: Carry 2
The extreme low angle of this allows the negative space between the skyscrapers to create "crosshairs," effectively targeting the bloody side of beef on the business woman's shoulder. Keeping in line with the surreal and stylized nature of this series, I chose to keep the drips here stylized as well, falling parallel in relation to the actual canvas, rather than being in realistic perspective, falling from the meat towards the viewer.
Part of my Meat Matters series.