Ink & Digital, 2004
This was the first Christmas card I illustrated because I wanted to send out something I made myself to friends and family. Being a Christmas card I figured it should feature the Big J (Baby J?), but I thought it would be more interesting to be a little circumspect, so I came up with the idea of having a woman (modelled by Krista, by the way) doing a needlepoint of the magic baby and his mom.
The landscape in the background is a scene an Orthodox monastery in the lakeside city of Ohrid in Macedonia.
The following year I made this other card which focused even more on traditional Macedonian and winter imagery and less on the religious aspect (although it did still say "Merry Christmas" in Cyrillic).
This was the first Christmas card I illustrated because I wanted to send out something I made myself to friends and family. Being a Christmas card I figured it should feature the Big J (Baby J?), but I thought it would be more interesting to be a little circumspect, so I came up with the idea of having a woman (modelled by Krista, by the way) doing a needlepoint of the magic baby and his mom.
The landscape in the background is a scene an Orthodox monastery in the lakeside city of Ohrid in Macedonia.
The following year I made this other card which focused even more on traditional Macedonian and winter imagery and less on the religious aspect (although it did still say "Merry Christmas" in Cyrillic).
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