Skip to main content

Picton Picturefest Afterparty

8.5" x 11", ink and digital, 2011

For the past couple of months, we'd been working very hard to upgrade our art barn at Small Pond Arts so that it would be more versatile and better overall. There is now a nice cement floor currently curing in there and it'll be ready very soon, with plenty of time to spare before its first official use on July 10.

Small Pond is hosting the Picton Picturefest Youth Retreat and, to close out the big fest, also hosting the Afterparty featuring music by Calgary's Kris Ellestad, who'll be performing on our aforementioned fresh new barn floor. We're very excited to be such a big part of Picturefest and this excitement carried over into inspiring me to try something new for the Afterparty poster illustration.

Conceptually straightforward, I referenced my own photos and photos online of singers with guitars, old style microphones, and classic Bolex film cameras, and combined and re-combined them until I was satisfied with the arrangement and composition. The "new" thing I wanted to try was a different way of inking the drawing; I used a regular ballpoint pen because I wanted a very loose look with a "dead" line (a line with no variation in width) throughout. Then I scanned the drawing and messed around in Photoshop with textures I've been collecting for a while now to achieve that grungy, worn, screen-printed look.

The dimensions above refer to the original line drawing of the camera-headed singer I did on a piece of regular copy paper.

And here's the final poster layout:


Comments

Popular posts from this blog

Axel Foley's Chevy Nova (1/25 scale model)

Multiple tributes, here. I remember first seeing  Beverly Hills Cop  on video at my friend Chris K's house, 'cause his family had a VCR and we'd watch tons of movies (and record music videos) together. The summer of 1984 was a special time for us (having created a strong bond in school since Grade 6 a few years before), going on biking adventures around the 'burbs and into the city, etc., and home video played an important role from then until I moved to the opposite end of Scarborough just before we started high school. We liked the movie a lot, both of us fans of Eddie Murphy from his  Saturday Night Live  days. I don't think I'd seen the movie since then (it would have been 1985, probably summer, since the movie came out in late 1984) and I became curious to see if it still held up. It did. It does. I found Murphy as charming as ever and the comedy (and even the action) holds up very well and its very re-watchable and very entertaining.  Beverly Hi...

U.S.S. Enterprise, NCC-1701-D (1/1400 scale model)

Seven decades after Kirk. I'd been hooked on Star Trek since I was a wee lad in the 1970s, watching reruns of the original series from the '60s, and I enjoyed the movies that came out afterward. When a new series was announced to debut in 1987, I was excited and interested, even though I felt the subtitle "The Next Generation" was cheesy. Nearly 30 years later, I've definitely gotten used to it (but "TNG" is easier to say and type), but I still find it kinda bland. Anyway, the show had fresh new technology and a spanking new design for its main ship, the U.S.S. Enterprise , NCC-1701-D, now the flagship of the Federation. Andrew Probert 's design took some getting used to for me; it had the same basic elements of the original Enterprise  (saucer, neck, cylinder, and two cylindrical engines on pylons), but the shapes and volumes were distributed differently, weirdly. Everything looked squished and soft. The organic look of this new ship had me ...

U.S.S. Enterprise, Refit Restoration, Part 1

"All I ask is a tall ship And a star to steer her by" – John Masefield The original U.S.S. Enterprise , NCC-1701, designed by Matt Jeffries, first flew across TV screens in 1966 and was redesigned (chiefly by Jeffries, Mike Minor, and Andrew Probert) for Star Trek: The Motion Picture in 1979 (explained in the movie as having undergone a refit). I like the original design for its simplicity and elegance, but the refit really does it for me with its swept-back warp pylons and overall updated-yet-still-futuristic detailing. It's no wonder I picked this ship for my very first ever model. Check out this gorgeous scene of Scotty giving Admiral Kirk a tour 'round the outside of the Big E  in TMP (with beautiful music by Jerry Goldsmith). Which one did I build? The Star Trek V AMT/ERTL kit was issued in 1989, but I built it in the winter of 1991 (I remember there was snow on the ground in downtown Toronto, so it may have been early 1992, which means it ...