triptych; each panel: 15" x 11", watercolour, 1993
The black bars are actually from the mat in which windows were cut to frame these three separate paintings together as a triptych (as intended, since only the far left panel is signed). I played around with windows-in-the-mat approach with a number of paintings around this time and this might be my first use of it (see also Postmodern Pranksterism and Body Language).
The black bars are actually from the mat in which windows were cut to frame these three separate paintings together as a triptych (as intended, since only the far left panel is signed). I played around with windows-in-the-mat approach with a number of paintings around this time and this might be my first use of it (see also Postmodern Pranksterism and Body Language).
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